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Ahmed, Sara. The Promise of Happiness. Durham NC: Duke University Press, 2010. Print.


Allen, Amy, "Feminist Perspectives on Power", The Stanford Encyclopedia of Philosophy (Fall 2016 Edition), Edward N. Zalta (ed.), URL = <https://plato.stanford.edu/archives/fall2016/entries/feminist-power/>.


Athanasiou, Athena. 2020. “(Im)possible Breathing: On Courage and Criticality in the Ghostly Historical Present.” Redescriptions: Political Thought, Conceptual History and Feminist Theory 23(2), pp. 92–106.


Arlander, Annette, Bruce Barton, Melanie Dreyer-Lude, and Ben Spatz. Performance As Research: Knowledge, Methods, Impact. , 2018. Print.


Boggs, Grace L, Scott Kurashige, Danny Glover, and Immanuel M. Wallerstein. The Next American Revolution: Sustainable Activism for the Twenty-First Century. , 2012.


Brown, Adrienne M. Emergent Strategy: Shaping Change, Changing Worlds. , 2017.


Butler, Judith. "Precarious Life, Vulnerability, and the Ethics of Cohabitation.” The Journal of Speculative Philosophy, vol. 26, no. 2, 2012, pp. 134–151.

-- “Rethinking Vulnerability and Resistance.” Vulnerability in Resistance, edited by Judith Butler et al., Duke University Press, Durham; London, 2016, pp. 12–27.

-- The Force of Nonviolence: An Ethico-Political Bind. , 2020. Print.


Case, Sue-Ellen. Feminism and Theatre. Routledge, 2014.


Dolan, Jill. Feminist Spectator As Critic. Ann Arbor: University of Michigan Press, 2014. Print.

-- Utopia in Performance: Finding Hope at the Theater. , 2010.


Donkin, Ellen, and Susan Clement. Upstaging Big Daddy: Directing Theater As If Gender and Race Matter. Ann Arbor, MI: University of Michigan Press, 2002. Print.

Gilson, Erinn. Ethics of Vulnerability. Place of publication not identified: Routledge, 2016. Print.


Grossman, Pam. Waking the Witch: Reflections on Women, Magic, and Power. Gallery Books. 2019.


Halberstam, Jack, and Paul Boehmer. The Queer Art of Failure. , 2019.


Haraway, Donna J. (1988) ‘Situated knowledges: the science question in feminism as a site of discourse on the privilege of partial perspective’ Feminist Studies Vol. 14, No. 3.


Heddon, Deirdre, and Jane Milling. Devising Performance: A Critical History. Basingstoke: Palgrave Macmillan, 2006. Print.


hooks, bell. Feminist Theory from Margin to Center., 1984. Print.

-- Feminism Is for Everybody: Passionate Politics. Cambridge, MA :South End Press, 2000. Print.


Jaggar, Alison M. Just Methods: An Interdisciplinary Feminist Reader, 2014.


Jones, Angela. A Critical Inquiry into Queer Utopias. , 2013. Print.


Lorde, Audre. "The uses of the erotic: The erotic as power." The lesbian and gay studies reader (1993): 339-343.


Martin, Carol. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. Psychology Press, 1996.


Mcclain, Megan. “Dramaturg as Artistic Instigator.” UMass Thesis, 2012.


Muñoz, José E. Cruising Utopia: The Then and There of Queer Futurity. New York; London: NYU Press, 2009. Print.

Oddey, Alison. Devising Theatre: A Practical and Theoretical Handbook, 2015. Print.


Solga, Kim. Theatre and Feminism. Macmillan International Higher Education, 2015.


Sollée, Kristen J, and Coz Conover. Witches, Sluts, Feminists: Conjuring the Sex Positive. 2017.


Stankiewicz, Teresa. “Who is the dramaturg in devised theatre performance?” from The Routledge Companion to Dramaturgy, 2014.


Starhawk, . Truth or Dare: Encounters with Power, Authority, and Mystery. New York, N.Y: HarperOne, 2011. Print.


Syssoyeva, Kathryn M, and Scott Proudfit. Women, Collective Creation, and Devised Performance: The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries. , 2016. Print.

West, Katie, Jasmine Elliott, and Kristen J. Sollée. Becoming Dangerous: Witchy Femmes, Queer Conjurers, and Magical Rebels. , 2019. Print.

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