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Full Writing Portfolio

New England Theatre Geek

"Politically Stale Content v. Beautiful Production Work: The Wife of Willesden

Review of the A.R.T. (March 2023)

"Swing and a Miss: The Great Leap

Review of The Lyric Stage Company (February 2023)

"A kind stop for death: Lighting":

Review of Double Edge Theater (November 2022)

"A Season of Farewells in Western MA: KO Festival of Performance and the Royal Frog Ballet":

(October 2022)

"Radical Hope and Radical Change: The Hidden Territories of the Bacchae”:

Review of Double Edge Theater (July 2022)

"Something worth straining for: Natasha, Pierre & the Great Comet of 1812”:
Review of Wilbury Theatre Group (June 2022)

"The Politics of Punching Down: A Gentleman’s Guide to Love and Murder”:

Review of Lyric Stage Company (May 2022)

"Loves, Losses and Transformations: The Raft”:

(April 2022)

Severance Magazine

"I Just Found Out I'm Jewish, But Am I Jewish?" (May 2022)

Journal of Dramatic Theory and Criticism

"Subjectivity, Identity, and Intersectionality in Arts Journalism: An Interview with Diep Tran" (2019)

 Everything Sondheim

"Some Kind of Obsession: Sondheim as Cinephile and Adaptor, from Night Music to Passion" (2018)

OnStage Blog

"A Cautionary Tale of the Forgivable White Male Genius – or, What the Theatre Community Can Learn from Hugh Hefner" (2017)

Broadway’s 2018 Word of the Year: Complicit (2017)

"Review: The Invisible Hand at Theaterworks" (2017)

"Review: The Will Rogers Follies at Goodspeed Musicals" (2016)

"Review: White Guy on the Bus at Square One Theatre Company" (2017)

"Review: Rags at Goodspeed Musicals" (2016)

"What About the Showgirls?" (2016)

"The White Supremacy & Male Gaze of Evita" (2016)

"Review: Ghost: The Musical at White Plains Performing Arts Center" (2016)

"Review: Sister Act: The Musical at the Opera House Players" (2016)

Howlround Theatre Commons

"Missing Voices and Misogyny in Shakespeare Theatre Company’s All-Male Shrew" (2016)

"Learning to Shout" (2014)

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