Full Writing Portfolio
New England Theatre Geek
"Righteous but Unfocused Rage: Goodnight Sweetheart, Goodnight”
Review of Wilbury Theatre Group (May 2023)
"Conjuring History from Between the Lines: Omar"
Boston Lyric Opera (May 2023)
"Words, Words, Words (With a Few Feelings): Joy and Pandemic”
Review of The Huntington Theatre Company (April 2023)
"Politically Stale Content v. Beautiful Production Work: The Wife of Willesden”
Review of the A.R.T. (March 2023)
"Swing and a Miss: The Great Leap”
Review of The Lyric Stage Company (February 2023)
"A kind stop for death: Lighting":
Review of Double Edge Theater (November 2022)
"A Season of Farewells in Western MA: KO Festival of Performance and the Royal Frog Ballet":
(October 2022)
"Radical Hope and Radical Change: The Hidden Territories of the Bacchae”:
Review of Double Edge Theater (July 2022)
"Something worth straining for: Natasha, Pierre & the Great Comet of 1812”:
Review of Wilbury Theatre Group (June 2022)
"The Politics of Punching Down: A Gentleman’s Guide to Love and Murder”:
Review of Lyric Stage Company (May 2022)
"Loves, Losses and Transformations: The Raft”:
(April 2022)
Severance Magazine
"I Just Found Out I'm Jewish, But Am I Jewish?" (May 2022)
Journal of Dramatic Theory and Criticism
"Subjectivity, Identity, and Intersectionality in Arts Journalism: An Interview with Diep Tran" (2019)
Everything Sondheim
"Some Kind of Obsession: Sondheim as Cinephile and Adaptor, from Night Music to Passion" (2018)
OnStage Blog
"A Cautionary Tale of the Forgivable White Male Genius – or, What the Theatre Community Can Learn from Hugh Hefner" (2017)
Broadway’s 2018 Word of the Year: Complicit (2017)
"Review: The Invisible Hand at Theaterworks" (2017)
"Review: The Will Rogers Follies at Goodspeed Musicals" (2016)
"Review: White Guy on the Bus at Square One Theatre Company" (2017)
"Review: Rags at Goodspeed Musicals" (2016)
"What About the Showgirls?" (2016)
"The White Supremacy & Male Gaze of Evita" (2016)
"Review: Ghost: The Musical at White Plains Performing Arts Center" (2016)
"Review: Sister Act: The Musical at the Opera House Players" (2016)
Howlround Theatre Commons
"Missing Voices and Misogyny in Shakespeare Theatre Company’s All-Male Shrew" (2016)